Review: Flea!

2020. It's not been great, has it? But whilst we all seclude ourselves in our homes, proclaiming how bored we are whilst ignoring our game backlogs, something has been stirring in the Dreamcast Indie scene. The year kicked off with the rather glorious Xeno Crisis - perhaps the finest Indie game yet on the DC, and we've got some delights on their way with the high speed thrills of Arcade Racing Legends from JoshProd, the wonderful Xenocider in all it's 3D glory from Retro Sumus, and Indie masters Senile Team back with the fantastic looking Intrepid Izzy. That's not even mentioning the impending release of Summoning Signals, JoshProd's Indie onslaught with 8(8!) more titles, and almost certainly others that we've simply forgotten to mention! It's a never ceasing cause of amazement for all of us here at the Junkyard that we could see more than a dozen titles added to the library in a matter of months.

It seems though, that even more is on the horizon - including a game which has come as somewhat of a surprise - Flea! which is out now and available from the developers own Etsy page here. A successfully funded Kickstarter project this year, the game was designed for the NES, but has jumped it's way onto our chosen platform, caught us all by surprise, and left us itching to tell you more. I promise that's the last awful Flea pun I'll be making...

Playing as your cute little Flea protagonist Henry, your task is to collect blood from the games 80 levels, blood which is being horded by the greedy King, and is desperately needed by the Refu-fleas. To that end, each unit of blood you collect can, at certain points, be converted to extra lives. It means that very quickly you'll rack up substantial numbers of lives - but that's something you'll most certainly need here. The game creator, Alastair Low (featured on the DCJY before, for the very cool Dungeon Ross), clearly has a fondness for tough NES era platformers, as Flea! is designed with plenty of tricky sections and death is frequent. Luckily, such death is not permanent in Flea's world, for a few seconds later you're back on the hunt for blood at the beginning of the level. Just as quickly as you build the life stock up though, you'll see the numbers going down when you get to one of the games tougher stages.

The game's deaths don't come by way of Uzi wielding parasites or anything so extreme though - here, death will come by way of your continually jumping little critter finding his way into a particularly nasty obstacle. These litter the stages, and whilst only a few syringes seem to be your issue early on, you soon come face to face with other creatures and more extravagant obstacles. Not every creature you meet is a bad guy though - there are plenty of colourful and interesting characters throughout the game to interact with as well.

The game is a tough one to master, in the time honoured 8-bit fashion. However, this toughness doesn't come with unfairness - if you die, it's due to a mistake you've made. Control is generally simple - Henry jumps continually, but you can press the A button to keep his jumps lower (a skill you will require early on in the game), and later on you can dash as well (although I've got to be honest, I've not actually got that far yet! I've never said I'm any good at games...). The main challenge here is to maximise your blood collection whilst navigating the obstacles with well timed jumps. The instant restart of the single screen levels makes any frustration minimal, luckily, but the game does induce a feeling of rage when your life supply dwindles as you fail at a decidedly crafty stage for the umpteenth time - but there's a not insignificant amount of satisfaction when you finally make it. It's a classic risk-reward strategy of gaming of yore, tried and tested, and it works well here, a tribute to the games developer once more.

At times the game does mix things up a little, ditching the single screen approach and going for a forced scrolling platforming experience - a sort of endless runner type affair, only, er, it ends. It shows a little bit of versatility off that makes for a nice change of pace, and again technically, it runs smoothly.  

Visually, it's not going to blow anyone away. It's clearly a NES game, with chunky pixels and bright colours, a look evocative of an age before the Dreamcast, but one which is very much back in fashion. Of course, it looks this way through functionality (being an actual NES game) rather than style alone, but it's competent, cute, fun and cheery. In fact, I'm officially starting a campaign to get Flea! to become the official mascot of the DC indie scene, as I look at his cute little face looking at me from my VMU during the game. The stages vary in their colour schemes - different beasts that the fleas infest - but all have that 8-bit colour and brightness to them, which is very visually appealing. 

There's no denying the games NES roots though. The pixels are colourful, the action is smooth, but this isn't the sort of title that's going to push the hardware. That doesn't matter at all, of course, as the core gameplay is fun and challenging enough to justify itself a place in the library, but we know there will be some out there who will baulk at the idea of a Dreamcast game looking this way. To them, we blow a giant raspberry. Personally, it's a style of game we've not had much of on the console, and I welcome it's arrival. 

I also welcome the chiptune music, so insanely catchy that I found myself humming it to myself on the bus this morning. It perfectly captures the fun, nostalgic retro-ness of the game, and deserves special mention just for that. The packaging is also great - a US style look (despite Lowtek Games being a Scottish based developer), it has a great disc image, and full colour manual (although it's only 2 pages), and the cover is great. For a game none of us were expecting, it's level of professionalism in design was surprising but most welcome. 

The game is available for £30 from Lowtek Games Etsy store, limited to just 200 numbered copies,  and you can find the games creator Alastair on Twitter  so go give him a follow!

 

Review: Ghoul Grind: Night of the Necromancer

The world of indie Dreamcast games has changed dramatically over the last couple of decades. A period of cheap and cheerful, mostly puzzle-orientated titles in the mid-00s was followed by a lengthy period of time where, alongside the last officially pressed GD-ROM releases authorised by Sega, we were treated to several shoot-'em-ups from a variety of indie developers. That period was so lengthy, in fact, that we still see some social media influencers parroting the tired opinion that "the DC only receives indie shooters," instantly earning them the wrath of the collective Junkyard crew. 

By the mid-2010s, the array of titles finding a physical release was a much more diverse selection: racing, platforming, adventures, RPGs, twin stick shooters, 3D shooters and many other genres found their way to the Dreamcast, and still do! 

We're currently staring at the quite ludicrous prospect of nearly 30 upcoming releases for this incredible machine that just refuses to die. As well as a broader selection, the quality has also seen a marked improvement as well – arguably reaching a recent peak with the releases of Xeno Crisis, Xenocider and Intrepid Izzy - three impeccable independent releases that have pushed the boundaries of quality; not only with their gameplay, but in the presentation department as well. Whilst not every game will reach the lofty heights of that trio, the days of any old game being released and instantly receiving praise just because it's 'on the Dreamcast' are long gone. 

Indeed, while I and the rest of the Junkyard crew are overjoyed that so many talented developers are bringing new games to the Dreamcast, we are now in an era - bizarrely - where we can be more objective about new titles than ever before.

Ghoul Grind: Night of the Necromancer may not be a candidate to sit alongside the Izzys or Xenos at the very top level of what's available, but that doesn't mean it's a bad game. Developer Woog Worx's main goal was to Kickstart a brand new NES physical release, with a Dreamcast port as a stretch goal. Ghoul Grind is a 2D, 8-bit, auto scrolling platformer with a distinctly Halloween theme. Due to it being a port of an NES game, on a technical level, it certainly doesn't push the Dreamcast in any way whatsoever. A successful Kickstarter campaign, which didn't seem to elicit much attention from the DC community (if you had listened to us, you would have backed it, so don't complain now!), was completed back in April 2021, and by the end of that year, the game was already in backer's hands - the sort of quick turnaround story that we can always get behind at the 'Yard!

The plot (played out through a short introduction sequence and in the game's lovely full colour manual - more about that later) sees Nox and Veronica - boyfriend and girlfriend - tasked with saving the townsfolk of Saint Crypton from their best friend Vladimir; who is raising the dead, bringing ghouls, ghosts and goblins out onto the streets, forests and crypts of the town. As someone who lives quite happily year round with the oranges and blacks of Halloween decorations decorating my house, the aesthetic on offer really hits a sweet spot. 

The game oozes a charmingly nostalgic All Hallows Eve atmosphere, with a suitably ghoulish 8-bit soundtrack (which may not be to the masterful level of some indie offerings, but considering the limitations of the original hardware, is rather good) and a colour palette full of oranges and browns to give it an autumnal look, as well as eerie blues, blood reds and the blackest blacks, really making the most of those hardware limits again. Woog Worx really do deserve credit for their character design and spooky atmosphere. Ghoul Grind sits in a perfect cross-section of 8-bit, Tim Burton and horror aesthetic.  

Gameplay is pretty straightforward: your characters auto run through the levels, with your control being limited to one button to jump, and one button to fire your weapon. You can change between the two characters on the fly throughout - and need to do so to get past certain sections - but there is little in the way of complexity here. The levels have all manner of suitably Halloween-themed enemies (with some great accompanying artwork in the manual), and are chock full of tricky jumps and platforming elements to challenge the player. 

Chances are, on your first attempt at each stage, you will die a fair few times before you know exactly when to time the action required. When you do die, it's straight back to the beginning where you attempt to traverse the level again, your knowledge of what you've already seen aiding your progress. There are 18 levels in total, as well as six boss encounters, which change up the obstacles you come across, but the gameplay remains broadly the same throughout. 

It'd be fair to say that this can lead to some challenging moments, but the instant restarts lower the sense of frustration. There is the occasional instance of a button press seemingly missed, although I didn't notice this too often. For the most part, this is as smooth as an NES port to the Dreamcast would be expected to be. Smooth can also be used to describe the packaging of the game. We have come to expect good quality packaging in recent years, what with the rise of JoshProd and Wave Game Studios, and Ghoul Grind lives up to that. 

A full colour manual contains loads of excellent illustrations, and the overall package is professional looking. Originally, you could only obtain the Dreamcast version of the game when backing a level with a physical NES cart as well, and whilst we're not the NES Junkyard, I have to say that the high quality of packaging crosses over to that release as well. For those who weren't interested in getting the NES cart too, standalone purchase option for the Dreamcast release are now available.

There isn't much more to say about the game, really. It's a decidedly simple premise, well executed, with a great gothic Halloween-loving atmospheric style (and an awesome name to boot - although it sounds more like the sort of blackened Death Metal band and album title that I'd happily lap up). Just remember that it's not something which was made with the Dreamcast in mind (although, kudos to Woog Worx for replacing the NES controllers featured in the background of the training levels, with Dreamcast controllers); or a game that will thrill those that want indie games to push the envelope of what we've come to expect on the console.

You can purchase your own copy of the game at the Woog Worx store here. You can download a demo or buy a PC version of the game at their itch.io page here. The Woog Worx main website can be found here.

Have you purchased Ghoul Grind: Night of the Necromancer for Dreamcast? If so, please do let us know your thoughts on it in the comments.

DreamOn Demo Disc Hacks

Hello again, remember me? Sorry I have been more or less completely post-less on here and Sega Memories for quite some time, as you may or may not know I have been rather busy the last few months, but here I am again. Anyway,after my one resource of ripping video from Dreamcast games decided to become incompatible with my new telly, I haven't been able to do any Rummage reviews or anything like that for the YouTube account. Now however I have a DVD recorder that I can grab footage with, and best of all it lets me record in NTSC as well so I can record footage of Japanese and American now if I want to. That means I should be bringing some brand new Rummage videos your way, as well as possibly some video features (thinking of making a video that explains the whole Bleemcast thing, for example) in the near future. In case you missed them before, here are the Rummage videos for Bangai-O, Pen Pen, and 18 Wheeler. To think I made all of those in one week and haven't made any in almost a year. Peh.

So to test it out I've put together a video just showing off some hacks I put together last year based on a tutorial up on DreamAgain.fr that gives you access to the menu from one of those PAL Dream On demo discs which you can use as a menu for multiple full games on one CD-R. It's mind bogglingly complex and i went through quite a few CD-R's trying to put together discs where every single game worked like a charm, but I managed to make three 100% successful discs each with 3 or 4 games crammed on. I'm taking screen shots using the DC for PC emulator Chankast (in which I cannot seem to switch the language to English).

First off: "Power Stone Collection", which as the name obviously suggests features both Power Stone games. Because I also had some more room left over I squeezed two small games also by Capcom on the disc for good measure; Cannon Spike and Net De Tennis. Thanks to a rather handy Photoshop PVR texture converter (I.e: the images the Dreamcast runs )I could also open up all the textures of the DreamOn menu and give it a fancy custom look with my own fonts and such. The best thing with this set is all the game's on it feature music that resides on the data side of the disc, so they all have music intact. You see, if the music runs on the audio side of a disc, then you can't stick it on one of these multi-game discs. making these things is complex enough as it is!

Another disc idea was to put both Tokyo Extreme Racer (AKA Tokyo Highway Challenge AKA Shutokou Battle) games onto one disc. I also had some room over here so I stuck a small racing game on there; Team 17's Stunt GP. Unfortunately with Stunt GP the music is CD audio so the game plays with no music but the Tokyo games are fine.

Finally, a disc with a random assortment of games that have just one thing in common: shooting things! I was going to make a whole collection of these 'GAGAPAK's, each with their own theme, but this was the only one that got finished. It contains 4 games: Incoming, Millennium Solider Expendable, Silent Scope and Under Defeat. The latter two games have music but the two rage produced games don't (western developed games tend to rely on CD audio a lot more than Japanese ones, it seems).

For those wondering, I don't intend to release these to the many torrent sites out there, although this is mainly because I don't know how to make this content into a burnable file thingy. I mainly did these for my own amusement (although it became frustration in the end what with all the attempts they took to work) and so i can say I've kind of made something that I can run on a Dreamcast...sort of. Anywhoo, here's the video showing off all the menus to these discs. I think I'll record in Short Play quality next time..

As for more hacking from me? Eh, probably not, although I do have all the files to The Lost Golem here that I might attempt to make a translation out of...

Eh, I probably won't ever get around to it.

Xtreme (virtual) sports

Long time no posting, I see... Well, with so many consoles and so many work to do it gets hard to give my little Dreamcast the attention it deserves. But lately I've actually been playing a little on it, mainly extreme sports games. Don't ask me why, maybe it's withdrawal symptoms for not playing some Tony Hawk in a long time. The thing is, I never got THPS2 for my Dreamcast, since I already have it for the PC and PSX (yes, I know what you're all thinking, OMG I play PSX too!!!). I had other things, though, neglected things, games I bought without giving them much attention. Until now, that is. So, without further adue (that's what I meant to say, isn't it? I sometimes mess up with english expressions...), here's what I've been playing:

Mat Hoffman's Pro BMX


This one is pretty similar to Tony Hawk, which is no surprise since they both run on the same engine. There are a few key differences, though, mainly because here you have a bike instead of a skate, so the jumps are shorter, the tricks are more difficult to do and you can't ride backwards. These are not necessarily problems, and they don't break the game, but something else does: the controls. The gameplay sucks, not because of the mechanics involved but because it's hard to properly control your bike. That's not to say the game is rubbish, and it should please the more hardcore Tony Hawk games/ real-life BMX fans, but the others should at least try it first.



Dave Mirra Freestyle BMX


Another take on virtual BMX, this one distinguishes itself from the Mat Hoffman's game due to its more realistic approach. If, like me, you've played that one first, you'll need some time and practice to get used to this game. The jumps are shorter and the tricks aren't as fluid and easy to execute, but when you do nail them you'll feel like a pro. But, of course, that can also be seen as a flaw, since most people will throw out the controllers in frustration when they fail again and again and the objectives of the game get really hard, really soon, so unless you're a pro you'll get stuck pretty early. A game for the hardcore.



MTV Skateboarding


OMG this game sucks... What? It's true! It actually started out quite well the first time I played it, with this song in the background, but the gameplay is so fucking obtuse. It's rigid, unresponsive, "un-fun" and it just plain sucks. Seriously. With a rather great (or so I hear) Tony Hawk game on the system there's just no excuse to play this one.



Razor Freestyle Scooter


The surprise of the bunch. I think Tomleecee already talked about this one, but I can't remember what his opinion was. Anyway, I liked it, a lot. Maybe because I had no expectations. Despite the "vehicle" you control, a scooter in this case, the gameplay is completely TH-style, and if you've played that game you'll have no problem adapting to it. The progression and objectives are in the same style, and it's almost as fun as that game. Despite the kiddy look, some objectives are rather hard to accomplish (get a 6,000 points combo? WTF? I can barely get a 4,000 one!), but you only need to achieve a, usually somewhat low, highscore to unlock the next stage, so you probably won't get stuck easily. Also, the graphics are not exactly the best the system has to offer, but the game compensates some lack of detail and the bland textures with a big resolution and constant framerate and overall it looks good, even on my big-ass 37" HDTV.

Developer Interview: Retro Sumus' Carlos Oliveros

Spanish indie developer Retro Sumus came to the fore in late 2014 when new Dreamcast-bound visual novel AMEBA was announced. Since then, work has been progressing steadily behind the scenes and we decided it was about time that we uncovered just what Retro Sumus is all about. In this exclusive interview with lead writer Carlos Oliveros, we find out a little more about the team, AMEBA and discover that there's another extremely promising (and previously unannounced) Dreamcast game on the horizon...

DCJY: Could you tell us a little bit about Retro Sumus? Who makes up the team and what are your roles?

Carlos Oliveros: Retro Sumus is both our name and our tag line, so to speak. It's Latin for "we are back," or "we are retro" which in my humble opinion makes for a nice Twitter hashtag, don't you think?

#Yes

Right now, the team is made up of four fine gentlemen: Daniel aka Chui, Abel, Juanjo and yours truly. Chui is like Cypher from the X-men and understands any computer language you throw at him, or like Cypher from the Matrix now that I think of it, as he seems to see the world in code. Abel is our 3D designer and the owner of the brain behind Project Q (we'll get to that). Juanjo is in charge of the sound department, and I'm the main writer/translator and the communication guy.

For our first announced project AMEBA, we're recruiting a 2D artist and two more screenwriters to help us put everything together, as it's quite a big story for such a small team.

The original AMEBA teaser artwork

But you have known and/or worked with each other for a while now, haven't you?

In short, yes. I was one of the translators for Watermelon's Pier Solar and, after the Mega Drive release and the fans asking for a PC and a Dreamcast conversion, I introduced Chui to Tulio from Watermelon, as they were looking for a capable programmer to port the original Mega Drive code to more modern platforms. Being the awesome fella that he is, and the creator (or co-creator) of so many emulators and tools for the Dreamcast and other machines, he jumped at the chance and has become Tulio's right hand since, as far as I know. I only knew Chui for his emulators and had talked to him a few times before that, but we began working closer and chatting every other day from then on, as he worked on porting the game and I translated all the new content.

I think Chui brought Abel with him to Pier Solar. There was a Mode7 level in the original game which had to be remade from scratch for the conversion, so he did the 3D for that stage. That initial work was in fact the germ for Project Q.

Juanjo had never worked on any videogame related project. He's a piano teacher and producer, and the current keyboardist for spanish bands Efecto Mariposa and Los Aslándticos. When I told him about my ideas for AMEBA, he didn't even let me finish and said he wanted in. I was honoured, as he knew I couldn't possibly pay him (for now anyway) and didn't care at all. He immediately improvised a beautiful piano tune that will become one of the main themes for the game.

A Quick Look At Seventh Cross: Evolution

The Dreamcast library is full of odd games, and really is a testament to how the Sega of yore was quite keen to push boundaries when it came to game design. Stuff like Seaman, Roommania #203, Samba de Amigo etc show how imaginative and downright wacky Sega's in-house development teams could get. But it wasn't just first party developers who took things a little bit left field when it came to the Dreamcast. There are some truly bizarre third party games on the Dreamcast, games that we'll probably never see the likes of again. Titles such as Lack of Love, Bomber hehhe! and Pen Pen Triicelon are all pretty strange by today's standards and for the time they were released offered a glimpse into the imaginations of designers who were doing things in the console sphere that was rarely seen. Another game that should be added to this category is Seventh Cross: Evolution, a game in which you start as an amoeba and literally play the game of life, evolving into new intelligent life forms and eventually shamble out of the primordial ocean and conquer the ancient landmasses of a prehistoric world.

When the Dreamcast was first announced and the console was being shown in magazines of the era, Seventh Cross was one game I vividly remember being really intrigued by, simply because it showed a sort of metallic humanoid walking around a barren archipelago. I'm not sure why it stuck in my mind but it just looked so weird and made me want to follow the development of the Dreamcast closely. Sadly, I never got to experience the game back then because it wasn't picked up for a PAL release and getting imported games wasn't something I was especially interested in back in those days. I would just buy what was on the shelves of Gamestation or Electronics Boutique and Seventh Cross: Evolution wasn't a game that ever made the leap across the pond.

A Japanese launch title, Seventh Cross: Evolution did make it to the US (the NTSC-J version is simply titled Seventh Cross, while the NTSC-U game is called Seventh Cross: Evolution) and it's the American version I recently managed to get my hands on and finally satisfy the curiosity that began all those years ago, after seeing that metallic bloke in those low quality screen grabs in magazines. I also have to be honest here - I went into this game totally blind as other than the few scant details I picked up about Seventh Cross: Evolution through magazine previews, it isn't a title I'd ever really investigated in any depth. So, join me as I try to make sense of what is a truly unique and deliciously bizarre little game...

The Gods Of Olympus

The Olympics. Whether you revel in the excitement of the world’s greatest athletes coming together every four years for a festival of sport; or are already planning a way to escape the non-stop coverage of an overly corporate 2 weeks of men and women hitting balls with sticks or running around in circles, there's no denying that it and gaming have strong ties. Whilst the games have never set the world alight, many a bedroom has been host to a bout of wrist-aching joystick waggling as school friends attempt to show that they are indeed faster over the digital 100m. From Daley Thompson sponsored joystick breakers on the 8-bits, through pad breaking exploits on the Mega Drive and SNES, right through to 90's gaming icons battling it out in strangely mismatched sporting events on the latest Nintendo consoles, the Olympics and Gaming have been bedfellows for some time.

They all bought PS2s at launch. The lamenting went on for years...

The DC didn't escape its own little role in Olympic video gaming, and with Rio 2016 fast approaching, it's time to look back at the trio of Olympics themed games that hit Sega's little box of dreams, and perhaps take time to look at just what the console could deliver when it came to re-creating the Olympic spectacle. 

The Complete Guide to Commercially Released Dreamcast Indie Games

The fact that we're still blathering on about the Dreamcast some 20 odd years after the console's demise is testament to two things - the fact that we're sad little people still holding on to a mere glimmer of nostalgia about our youth as we rapidly approach middle age, and also the fact that the community will just not let this console die. We obviously don't talk about the first of those points much (we don't want to remind ourselves that we're becoming less and less culturally literate with every rotation of this damn rock around the sun), but we do talk about how "alive" the system is all the time. Probably too much, to be honest, as many people like to put the Dreamcast firmly in the "past" folder in their brain, preferring to remember what it was like when it was new and current. This is completely understandable, to view the console solely through a sense of nostalgia especially now that we have so many ways of experiencing the console's library which don't rely on having shelves full of games (or spindles full of CD-Rs). We're in that stage of the console's post-life cycle that has many people who left their video gaming behind when they were young dipping into the console once more, stirring up their memories of happier times, and no doubt probably quite confused as to why some of us never left the machine in the past and have continued to be fascinated by Sega's last great home endeavour to this very day.

Whilst the nostalgia is to be expected, it is the vitality of the current Dreamcast scene which keeps us writing about it. In between the tired posts of social media influencers asking people if they remember Sonic Adventure or Crazy Taxi, there has been an incredibly active scene covering every element of the Dreamcast for years. We have new hardware and controllers, games with online modes re-activated, more translations of Japanese games than I can actually keep track of, books, magazines, an entire series of arcade titles ported to the console, and a strong homebrew community that is creating some astonishing things. And it's that last point that allows me to pivot, finally, towards the point of this article. Alongside homebrew ports of classic titles (as I write this, the recent demo of the Metal Gear Solid 2 port is literally mind blowing) and fun little projects, we've now had 20 years of "proper" retail-released indie titles for the Dreamcast. My aim here is to document all of these in one article. I do love a long article...

I love Dreamcast indie titles. While they are not officially licensed by Sega, there is something very special about receiving a physical version of a game to be played on a console a quarter of a century old. The quality of the Dreamcast indie scene varies, which is to be expected, but even when a game is a bit crappy, I still have a certain sense of respect that it has been released on the console at all. Of course, I am a big weirdo, and will pick up anything you slap a "Dreamcast" label on, but for those who want to be a bit more selective with their hard-earned cash when expanding their Dreamcast library, a subjective view is always useful. In this article I hope to do just that - as well as take a look back at the various versions of the games that were released, where you can pick them up today, and any other interesting things that I can cram in before losing all excitement about writing this already massive article. This will also be constantly updated (hello, future people!) with my views on any new indie release, which will hopefully allow it to be a one-stop-shop for anyone interested in the broad DC indie scene - this will of course sit alongside our regular indie reviews from the entire DCJY team (I can also recommend Laurence's superb roundup of the indie scene in this article, if you want a slightly different perspective). It's also worth checking out our directory of indie developers and publishers, where you'll find direct links to all those involved in the indie scene.

Now, I need to add some context and "rules" here. The scope of this article will not include every single homebrew port or project - the first rule of the article is that it had to have been released physically and could be purchased by anyone. Of course, you can pick up a copy of any of the homebrew ports with nice printed inlays on Etsy - so that's when the second rule comes in: the physical release must have been officially sanctioned by the developer or rights holder. Finally, only full releases will count - so no demos, hacks or mods will be included, although total conversion mods that became standalone games in their own right do count. For the context of this article, only the games that meet the criteria I've just established will be called "indie releases". Will I probably end up breaking these rules to include something that I probably shouldn't? You betcha. Welcome to the wonderful world of "Mike doesn't stick to his own rules". 

Enough of my nonsense (well, enough of this opening bit of nonsense, there's a lot more nonsense that lies ahead, I'm afraid!)  - on with the article!

Resident Evil 2

Oh my gosh! I'm sitting here, with that rare feeling of satisfaction that one can only get from the completion of a videogame that you have loved every minute of... The fact that I'd amassed (a not too respectable), 36 hours, 35 minutes and 4 seconds to do so (on the easiest option) is testimony to the old adage, "Time flies when you're having fun..."

Let's put things into perspective... I had reached what I can only describe as 'gaming impotence' recently; despite having nine consoles to play on, and a plethora of unplayed and unfinished games to choose from... Plus the, as yet, untapped potential of my Wii, but nothing was doing it for me...

Then came a sustained period of sobriety, which as you may or may not know, is unusual for the Father... In a rare moment of clarity I knew what game I should be playing, and what console I should be playing it on... I dispatched one of the gingers upstairs to fetch RE2 for the Dreamcast. Since playing RE4 and RE: Code Veronica, plus RE1 in various guises (with varying degrees of success) the franchise had become a firm favourite. I'd had RE2 for years, and besides, I needed to gen up on the whole Umbrella saga before my most anticipated Wii release, Umbrella Chronicles...

From the moment I popped into that little white box of dreams, it was "love at first bite". Now, for those of you who've played the RE franchise chronologically, your first introduction to Leon. S. Kennedy and Ada Wong will have been in RE2... But I started at the most recent and worked my way backwards. Meeting Leon, Ada and Claire Redfield in RE2, was like meeting an old group of friends... and they were all in the same game! (Plus Leon looked so dashing in his Raccoon City Police uniform! (LOL!)

Now, for those of you in the know, RE2 was ported to the Dreamcast from the PS1. At the time (and indeed since) people were unhappy to receive inferior ports which despite some polishing, did not utilise the full graphical potential of the Dreamcast. This might be an issue for some, but not for me... You see, as someone who can still be 'wowed' by graphics on the Saturn, these graphics looked pretty hot! They were pretty much somewhere between the quality of the Saturn original and RE:Code Veronica...

Oh! But the best was yet to come! You see as a feature of the Dreamcast release, the player was given the option of the 'Arrange Game', where you can play as a Rookie... This option allows you access to more type writer ribbons (save potential) and both a machine gun and rocket launcher with unlimited ammo... Hoo-fucking-ray!!!

Now I know that will appall some of you more experienced and skilled gamers, I expect you'll accuse me of cheating... but for me it was like Christmas come early! It meant that I could gain access to the excellent storyline, characters and cut scenes, without the infuriating prospect of the frustration of playing for hours and then dying before a save point, or having to fight insanely tough bosses with the equivalent firepower of a pea shooter! The whole experience has been sublime from start to finish...

Now, my Dreamcast horror survival options are many, I've got Blue Stinger (with official strategy guide), Half Life (with official strategy guide!), RE 3 Nemesis, Ill Bleed and finally... Da da... D fucking 2!!!!

All these lovely titles to cram in before November the 3oth when Umbrella Chronicles comes out and I remember why I bought a Wii in the first place! Any way my lovelies, its late and I'm still reeling from an unexpected (free) trip to Old Trafford, where I saw the mighty MUFC knocked out of the Carling Cup by minnows Coventry City FC! Happy Days!!



So I'll love you and leave you, but expect another Shenmue post from me soon! This is FK signing off...

Good Night Dear Children, Wherever You Are...

Review: Xeno Crisis

It's hard to know whether even the most optimistic of us would of believed that, more than 15 years after it's inception, the Dreamcast Junkyard would still be reviewing new titles for the console which we all share a passion for. Yet here we are, in a year many of us believed we'd be living on the moon and driving flying cars, still hungering after more releases, and our appetites being sated with a steady supply of some of the finest Indie releases we've ever had. Our childhood fantasies of space-age dwellings and hoverboards, neon lit utopias and colonisation of other planets may not have been met - the steady diet of science fiction fueled expectations of our youth replaced instead with social media, disappointing Sega announcements and a global pandemic - but our consolation prize seems to be an incredibly healthy independent development scene, far removed from the 'yet another Shmup' days of old.

I can only imagine Bitmap Bureau grew up with the same dizzying expectations of our future. For them, the future was clearly 'out there', rather than 'stay at home', and in this new release for the Dreamcast, it seems mankind has indeed ventured away from our terrestrial origins, and made a life for ourselves amongst the stars. Of course, for every Utopian prediction that science-fiction gave us, there was a darker, grimmer dystopia waiting around the corner. For every Star Trek, there's an Aliens, after all. It's safe to say, that the universe that Bitmap Bureau believes mankind will inhabit may have just a touch of the latter - even the title of this new release hints at that. Xeno Crisis - not 'Xeno family picnic' you'll notice, paints a universe in which the Earth's best and brightest must deal with a threat of the extra-terrestrial kind. A distress call is received, and our guys at a research station seem to be dropping like flies due to a serious bit of unwanted alien violence. Step forward Commander Darius and his elite marines, our best hope at beating this off-world menace, now tasked with taking on whatever nasties the galaxy throws at them.

It's a classic sci-fi scenario, one we've probably heard many times before, but there's a reason for it's popularity - we all want to be the saviour of the planet against a horde of ugly, puss-ridden, vomit belching aliens, whilst shooting a completely infeasible amount of ammunition and shouting out Arnie-like quotes in a terrible Austrian accent. It's violent, it's action packed, it's all shouty, sweary and loud, and most of all, it's bloody good fun.

Bitmap Bureau promised to deliver this with Xeno Crisis during a highly successful kickstarter back in 2017, with plans to release the game on various consoles, both current gen and classic, and as well as bringing us glorious 80's action flick silliness, it was going to take a not-inconsiderate amount of inspiration from classic twin stick shooters of old as well. It felt like it was ticking all the right boxes, and now it's the Dreamcast's turn to experience the games delights after various other versions had their time to shine. The important question though, as always, is, well... is it any good?

You're damn right it is...

Top 5 Dreamcast Games for Studying Japanese

The title of this article is a bit misleading so a disclaimer is necessary. Firstly, you will not learn Japanese through playing Dreamcast games alone but they can be a great tool when used to supplement regular study and great fun to boot. If you really want to learn Japanese to any significant usable level then you need to study some textbooks (Genki textbook* is a good place to start), go to a class and/or visit Japan for a significant period of time. A more appropriate albeit less catchy title would have been 'The Top Five Dreamcast Games to Supplement the Gruelling Years of Japanese Study Required to Play Most Story Heavy Games… with difficulty… whilst referring to a dictionary regularly,' but that's perhaps a little harsh and not nearly as click-bait-worthy.

Even something quite basic, accomplishable (is that a word? Well, it bloody well should be) in a weekend, such as memorising Katakana* (Japanese letters used to write foreign loan words usually imported from English) will enhance your experience with Japanese games. Now, let’s get started!

Paint-tastic!

5. Fire Pro Wrestling D (Arcade Style Games)
This really includes any game that isn’t reliant on story or excess text to be playable; fighters, puzzlers, racers, platformers etc. You can jump right into these games without knowing a single word of Japanese and still have a blast. Where you can often run into difficulty however, is in the menus. Despite being of Japanese region, many games have their menus and option screens written entirely in English, but there are just as many where this is not the case. Learning Katakana* will go about 70% of the way to making them understandable, luckily they can be memorised in as little time as a weekend or two. During or after the learning process, decoding menu and option screens can be a great way to improve your reading ability.

Fire Pro Wrestling D's menus are full of katakana*

Review: Hermes

2017 is fast becoming a bumper year for new Dreamcast releases, and may well take the crown for most productive year for commercially released indie titles since the demise of the platform we all love so much. Not only do we have JoshProd porting classics to the console, Orion bringing us Escape 2042 and several highly anticipated titles on the horizon, but we now also have the second Dreamcast offering from Retroguru (who released the fun puzzler Fruit'Y a couple of years ago) and Dragon Box Shop. Hermes is a little 8/16-bit inspired run and jumper that opened for pre-orders a couple of months ago, and has now been received without much fanfare by those who purchased it.

Hermes sees you play the role of the title character, a French chef who has an almost unhealthy appetite for some grilled chicken. But rather than take a trip down to the nearest supermarket (which wouldn't have made a very good game - let's be honest. Bit short. Still more fun than Spirit of Speed though...); our Gallic hero does what every red-blooded meat eater who values good food would do, and that's slaughter the chicken himself.

If video games have taught me anything, it's that the slaughtering of animals usually involves jumping on platforms, avoiding snails and risking agonising death all in pursuit of the ultimate nutritious goal, and that is exactly what happens in Hermes. The chicken, unsurprisingly not keen on becoming the next gastronomic experience for our eponymous hero, decides to leg it, leading Hermes on a merry dance to chase down what is fast becoming a poorly chosen source of nourishment.

Review: Intrepid Izzy

When it comes to the Dreamcast indie scene, the name "Senile Team" is surely familiar. You might know them best for bringing us Beats of Rage, the moddable open source beat 'em up engine for Dreamcast (and other systems) that provided the basis for countless community-developed mods of series from Splatterhouse to Resident Evil. Or maybe you've had the pleasure of playing their first commercially released game; the excellent Rush Rush Rally Racing (or its update Rush Rush Rally Reloaded). Either way, it's definitely clear that Senile Team has pedigree when it comes to the Dreamcast, and now they're gearing up for the imminent August 20th release of their latest title, Intrepid Izzy.

The Kickstarter campaign for Intrepid Izzy went up back in 2017 with PC, Dreamcast and PS4 releases promised. The Steam version has been available since July 2020, but it's the Dreamcast version that many people, including us at the Junkyard (obviously) have been eagerly awaiting. Prior to Intrepid Izzy's Dreamcast release, I was supplied a review copy. Staying true to the Junkyard, however, this review will reflect only my honest opinions, with no influence from the developers or distributors.

The game starts with our protagonist Izzy, who is presumed to be a bit of an Indiana Jones explorer-type (she's known to be Intrepid, after all), opening a treasure chest in a temple only to release an evil blue genie whose main priority after finally being released is chaos on the world. From the initial cutscene, you are immediately given a taste of the game's carefree sense of humour, which often leans towards the drier side of things, and can occasionally get a bit bizarre. Just right for us at the Junkyard, then.

So how does Intrepid Izzy play? In the simplest terms, it's a 2D action platformer, with lovely, hand drawn artwork and fluid, cartoon-like animation (created with custom-made animation software) that gives me vibes of the ever-popular Shantae series. But to just call it an "action platformer" wouldn't be doing the game justice, because Intrepid Izzy is actually pretty deep, dude. While the initial stage is a rather left to right affair, you soon realise that the game has a very non-linear approach to its levels. That's right, Intrepid Izzy's core gameplay is what trendy gaming pundits might refer to as "metroidvania." I'm talking levels within levels, with a focus on light puzzle solving and backtracking. Get that key to open that door there, find a helmet to ride the minecart to a new area, find a new costume to grant you the power to get past an obstacle you passed earlier, and so on. 

Putting on Intrepid Izzy feels like you're embarking on an adventure, and one that is relatively easy to jump into whether you're a seasoned veteran of this style of explorative platformer, or a complete newbie to it, like I am (unless Kirby & the Amazing Mirror counts). Intrepid Izzy's platforming feels and controls great, and with the constant intrigue of treasure and new areas lurking around every corner, it gets pretty addictive. On countless occasions while exploring, I was conscious that I needed to save and come off so I could continue adding to this review, only to find myself attempting one more puzzle, or leading myself down one more passage.

As you traverse the game's many maze-like levels, you will encounter magic mirrors that grant you quick passage to the game's various other levels, as well as a fast track back to Awesometown, a pleasant town that functions as the game's central hub. You will be returning to Awesometown frequently to recover health by sleeping at Izzy's house and making repeat trips to the town's restaurant to replenish recovery and boosting items (which you purchase with coins that you've picked up throughout your quest). Less frequently, you will be dropping by the house of a bearded wizard, who can upgrade your health at the cost of enough heart fragments, which are hidden sparingly throughout the game's levels. Finally, perhaps taking a page out of Shenmue's book, the last building of significance in Awesometown is an arcade where you can play some basic but fun arcade games - such titles include "Plerg", "Ultra Bazoop" and "3D Wheel".

The other big gameplay element of Intrepid Izzy brings us back to Senile Team's Beats of Rage roots. Implemented alongside the platforming is a beat 'em up combat system that is used to solve environmental puzzles and dispatch enemies. You'll be using these fighting moves throughout your journey to rough up various foes, including huge screen-filling bosses. There are also plenty of occasions during exploration where you will enter a room, only to be locked in, with your only path to escape being to defeat a few waves of enemies. These bouts happen quite frequently, to the point where you soon realise that the combat in Intrepid Izzy is just as important as its platforming.